{"id":4598,"date":"2011-11-16T00:07:01","date_gmt":"2011-11-15T22:07:01","guid":{"rendered":"https:\/\/yeni.maliyeokulu.org.tr\/ahmet-kaya-oeluemuenuen-10-ylnda-nida-tuefekci\/"},"modified":"2026-05-26T22:30:35","modified_gmt":"2026-05-26T19:30:35","slug":"ahmet-kaya-oeluemuenuen-10-ylnda-nida-tuefekci","status":"publish","type":"post","link":"https:\/\/yeni.maliyeokulu.org.tr\/?p=4598","title":{"rendered":"Vefat\u0131n\u0131n 10. Y\u0131l\u0131nda N\u0130da T\u00fcfek\u00e7\u0130"},"content":{"rendered":"\t\t
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Vefat\u0131n\u0131n 10. Y\u0131l\u0131nda N\u0130da T\u00fcfek\u00e7\u0130<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\tAhmet KAYA\t\t\t\t\t\t<\/h4>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
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Genel Ba\u015fkan, SMMM<\/p>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a0<\/p>

\u00a0Dersini alm\u0131\u015f da ediyor ezber
\u00a0S\u00fcrmeli g\u00f6zlerin s\u00fcrmeyi neyler
<\/span>\u00a0-a<\/span>man aman ben yarelendim aman
<\/em>\u00a0Bu dert beni iflah etmez del’eyler
<\/span>\u00a0Benim dert \u00e7ekecek derman\u0131m m\u0131 var
<\/span>\u00a0–<\/span>aman aman s\u00fcrmelim aman<\/em><\/p>

Nida T\u00fcfek\u00e7i ile ilgili yazaca\u011f\u0131m yaz\u0131ya Orhan Hakalmaz\u2018\u0131n sesinden\u201cYozgat S\u00fcrmelisi\u201d e\u015fli\u011finde ba\u015flaman\u0131n dayan\u0131lmaz hafifli\u011fi vard\u0131 \u00fczerimde… yaz\u0131n\u0131n sonuna kadar s\u00fcrd\u00fc gitti bu keyif veren hafiflik\u2026<\/p>

Okulumuz mezunu, bu \u00fcnl\u00fc t\u00fcrk\u00fc derlemecisinin ad\u0131n\u0131n ge\u00e7ti\u011fi \u00a0web sayfalar\u0131n\u0131n t\u00fcm\u00fcnde, \u00d6\u011f.G\u00f6revlisi S\u00fcleyman \u015eenel\u2019in kaleme ald\u0131\u011f\u0131 biyografi yer almaktad\u0131r.. ben bu yaz\u0131mda, Yozgat Valili\u011finin web sayfas\u0131nda yer alan biyografi aralar\u0131na, kendisiyle ilgili s\u00f6yle\u015fileri ve an\u0131lar\u0131 serpi\u015ftirmeye \u00e7al\u0131\u015ft\u0131m\u2026<\/p>

******************<\/p>

\u201cNida T\u00fcfek\u00e7i,1 Mart 1929 tarihinde, Yozgat’\u0131n Akda\u011fmadeni il\u00e7esinde do\u011fdu. \u0130lk ve Ortaokulu Akda\u011fmadeni, Yozgat ve Bo\u011fazl\u0131yan’da bitirdi. 1950 y\u0131l\u0131nda Ankara Maliye Okulu’ndan mezun oldu.\u201d<\/p>

\u201c\u0130lk musiki zevkini ailesinden alan Nida T\u00fcfek\u00e7i, hen\u00fcz ilkokula ba\u015flamadan, babas\u0131 Hamdi T\u00fcfek\u00e7i’den ba\u011flama \u00e7almay\u0131 \u00f6\u011frendi. \u00d6\u011frenim hayat\u0131 boyunca saz \u00e7alma becerisi ve halk musik\u00eesine ilgisi artarak devam etti. \u00d6\u011freniminin ard\u0131ndan, bir s\u00fcre Maliye’de \u00e7al\u0131\u015ft\u0131.\u201d<\/p>

\u201c1947 y\u0131l\u0131ndan itibaren, Ankara Radyosu Yurttan Sesler Toplulu\u011fu’nda konuk sanat\u00e7\u0131 olarak yay\u0131nlara girmeye ba\u015flayan Nida T\u00fcfek\u00e7i, Muzaffer Sar\u0131s\u00f6zen’in te\u015fvikleri ile, 1953 y\u0131l\u0131nda a\u00e7\u0131lan Radyo s\u0131nav\u0131n\u0131 kazanarak Yurttan Sesler daimi kadrosuna dahil oldu. 1959 y\u0131l\u0131nda \u0130stanbul Radyosuna naklen atand\u0131. Bir s\u00fcre “T\u00fcnel Musik\u00ee K\u00fclt\u00fcr Derne\u011fi”, “Ca\u011falo\u011flu-Aksaray Musiki Cemiyeti” ve “\u0130stanbul Y\u00fcksek \u00d6\u011frenim Talebe Federasyonu”nda halk musik\u00eesi dersleri verdi.\u201d<\/p>

Nida T\u00fcfek\u00e7i\u2019nin ya\u015fam\u0131ndaki bu d\u00f6nem, g\u00fcn\u00fcm\u00fcz\u00fcn b\u00fcy\u00fck saz ustas\u0131 Arif Sa\u011f\u2019\u0131n kendisinden ders ald\u0131\u011f\u0131 y\u0131llara rastlar\u2026 Arif Sa\u011f 1959 y\u0131l\u0131nda \u0130stanbul’a gelir ve Aksaray Musiki Cemiyeti’nde Nida T\u00fcfek\u00e7i’ nin \u00f6\u011frencisi olur. M\u00fczikal altyap\u0131s\u0131n\u0131 k\u0131sa zamanda olu\u015fturmay\u0131 ba\u015far\u0131r.<\/p>

2000 y\u0131l\u0131nda \u0130stanbul Maliye Okulu Mezunlar\u0131 Derne\u011fi\u2019nce d\u00fczenlenen gecede Arif Sa\u011f\u2019\u0131n \u015fu s\u00f6zleri hala kulaklar\u0131mda:<\/p>

\u201c\u00dcstad\u0131m Nida T\u00fcfek\u00e7i\u2019nin mezun oldu\u011fu maliye okulu gecelerine her zaman ko\u015farak, ko\u015fulsuz gelece\u011fimi bilesiniz\u2026<\/i>\u201d<\/p>

\u201c1962 y\u0131l\u0131nda, \u0130stanbul Radyo’sunda, “Yurttan Sesler Kad\u0131nlar Toplulu\u011funu” Neriman Alt\u0131nda\u011f T\u00fcfek\u00e7i ile kurarak bu toplulu\u011fa “\u015eef Yard\u0131mc\u0131l\u0131\u011f\u0131” ve “Repertuar \u00f6\u011fretmenli\u011fi” yapt\u0131. 1964 y\u0131l\u0131nda T\u00fcrk Musikisi \u015eubesi M\u00fcd\u00fcr Yard\u0131mc\u0131s\u0131 (THM) oldu. TRT M\u00fczik Dairesi\u2019nin kurulma \u00e7al\u0131\u015fmalar\u0131na kat\u0131ld\u0131. 1971’de \u0130stanbul Radyosundaki g\u00f6revine ek olarak, Erzurum Radyosu Halk Musik\u00eesi Toplulu\u011fu’nun e\u011fitim ve denetim g\u00f6revleri T\u00fcfek\u00e7i’ye verildi. Bu toplulu\u011fun ses ve saz sanat\u00e7\u0131lar\u0131n\u0131n e\u011fitim programlar\u0131n\u0131 yaparak her ay bir hafta derslere girdi. Bu g\u00f6rev 1976 y\u0131l\u0131n\u0131n Eyl\u00fcl ay\u0131na kadar devam etti.\u201d<\/p>

T\u00fcrk\u00fc d\u00fcnyam\u0131z\u0131n b\u00fcy\u00fck \u00fcstad\u0131 mezunumuzun geli\u015fmekte olan T\u00fcrk sinemas\u0131na katk\u0131lar\u0131n\u0131 bu d\u00f6nemde g\u00f6r\u00fcr\u00fcz.<\/p>

Sinema sayfalar\u0131na , film i\u00e7in yap\u0131lan m\u00fcziklerin nadide \u00f6rne\u011fini verir Nida T\u00fcfek\u00e7i ;<\/p>

Y\u0131lmaz G\u00fcney sinemas\u0131nda, film m\u00fczi\u011fi ve bu i\u015fi \u00fcstlenen m\u00fczisyenlerin ismi aras\u0131nda ilgin\u00e7 bir ba\u011flant\u0131 kurulabilir. \u0130lk filminden itibaren, film m\u00fcziklerinin \u00f6zenle se\u00e7ildi\u011fi ilk filmler, daha \u00e7ok \u201ck\u0131rsal alanda\u201d ge\u00e7en filmlerdir. G\u00fcney filmlerinin kronolojisine bakt\u0131\u011f\u0131m\u0131zda, film m\u00fczikleri konusunda ismine ilk rastlad\u0131\u011f\u0131m\u0131z ki\u015finin Muzaffer Sar\u0131s\u00f6zen olmas\u0131 (Alageyik, T\u00fct\u00fcn Zaman\u0131), elbette onun Anadolu\u2019nun bir\u00e7ok y\u00f6resinde derlemeler yapm\u0131\u015f olmas\u0131yla da ba\u011flant\u0131l\u0131d\u0131r. Benzer \u00f6zelliklere sahip olan Nida T\u00fcfek\u00e7i\u2019nin de, ilk d\u00f6nemleri olmas\u0131na ra\u011fmen, hem filmin konusuyla, hem i\u00e7erdi\u011fi \u201ca\u011fa-k\u00f6yl\u00fc\u201d \u00e7at\u0131\u015fmas\u0131 y\u00f6n\u00fcyle, G\u00fcney sinemas\u0131 hakk\u0131nda ilk ipucu olarak de\u011ferlendirilebilecek \u201cHudutlar\u0131n Kanunu\u201d adl\u0131 filmde kar\u015f\u0131m\u0131za \u00e7\u0131kmas\u0131, Anadolu\u2019nun k\u0131rsal alan\u0131ndaki filmler ile, bu y\u00f6relerde derlemeler yapm\u0131\u015f olan sanat\u00e7\u0131lar\u0131n se\u00e7ilmesi konusundaki tezi g\u00fc\u00e7lendirmektedir.<\/p>

\u201c1972 y\u0131l\u0131nda TRT M\u00fczik Dairesi Ba\u015fkanl\u0131\u011f\u0131 THM Merkez M\u00fcd\u00fcrl\u00fc\u011f\u00fcne atand\u0131. 1975’de TRT M\u00fczik Dairesi THM m\u00fcd\u00fcrl\u00fc\u011f\u00fc g\u00f6reviyle birlikte, M\u00fczik Dairesi Ba\u015fkan vekilli\u011fi g\u00f6revine getirildi.\u201d<\/p>

Anadolu t\u00fcrk\u00fclerinin, kaynakland\u0131\u011f\u0131 y\u00f6renin tavr\u0131nda \u00e7al\u0131nmas\u0131 ve s\u00f6ylenmesi o kadar \u00f6nemlidir ki, Okulumuz mezunu Nida T\u00fcfek\u00e7i i\u00e7in\u2026. bu tutumu, TRT M\u00fczik Dairesi Ba\u015fkan vekilli\u011fi g\u00f6revinde iken, \u00fcnl\u00fc sanat\u00e7\u0131lar\u0131n baz\u0131lar\u0131 taraf\u0131ndan\u00a0 kendisinin \u00e7a\u011fda\u015f m\u00fczik anlay\u0131\u015f\u0131na kar\u015f\u0131 \u00e7\u0131kt\u0131\u011f\u0131 iddias\u0131n\u0131 getiri\u2026 hatta Atat\u00fcrk\u00e7\u00fcl\u00fc\u011fe kar\u015f\u0131 \u00e7\u0131kt\u0131\u011f\u0131 noktas\u0131na kadar vard\u0131r\u0131l\u0131r bu iddialar\u2026.<\/p>

\u00dcnl\u00fc ses sanat\u00e7\u0131s\u0131 ve \u00e7a\u011fda\u015f yorumcu Esin Af\u015far da bu iddialar\u0131 ortaya atanlardan biridir. Kendisi ile yap\u0131lan s\u00f6yle\u015fide \u015funlar\u0131 s\u00f6yl\u00fcyor:<\/p>

– Caz Yorumuyla A\u015f\u0131k Veysel alb\u00fcm\u00fcn\u00fcz\u00fcn kapa\u011f\u0131nda, ‘Veysel ileri g\u00f6r\u00fc\u015fl\u00fcyd\u00fc ama baz\u0131 insanlar dur diyorlar…’<\/i> diyorsunuz. Kim bu insanlar?<\/strong>
Eskiden TRT’de denetim diye bir \u015fey vard\u0131. O denetim \u00f6yle kat\u0131 kurall\u0131yd\u0131 ki, benim gibi \u00e7ok sesli halk m\u00fczi\u011fi yapanlara hep engel olundu. ‘Vay efendim, sazla gitar bir arada olmaz!’ Tam bir \u00f6r\u00fcmcek kafal\u0131l\u0131k. A\u015f\u0131k Veysel \u00f6ld\u00fc\u011f\u00fcnde, Kerim Af\u015far onun belgeselini yapacak, \u015fiirlerini okuyacak, ben de t\u00fcrk\u00fclerini s\u00f6yleyecektim. B\u00f6yle bir proje\u00a0 haz\u0131rl\u0131yorduk Ankara’da. \u00d6nce memnuniyetle kar\u015f\u0131land\u0131, tarih bile verildi. Sonra, Nida T\u00fcfek\u00e7i, bu m\u00fczik \u00e7ok sesli yap\u0131lamaz diye engel olmaya kalkt\u0131. Bunun \u00fczerine TRT Genel M\u00fcd\u00fcr\u00fc Musa \u00d6\u011f\u00fcn’e \u00e7\u0131kt\u0131m, ‘Bu, Atat\u00fcrk ilkelerine kar\u015f\u0131 gelmektir.’ dedim. \u00c7\u00fcnk\u00fc Atat\u00fcrk, 34 nutkunda ‘Kendi m\u00fczi\u011fimizi \u00e7ok sesli yapal\u0131m, \u00e7a\u011fda\u015fla\u015ft\u0131ral\u0131m, ancak o zaman d\u00fcnyaya a\u00e7\u0131labiliriz.’<\/i> demi\u015f. ‘Biz onun \u00e7izgisinden gidiyoruz, bu adam b\u00f6yle demekle Atat\u00fcrk ilkelerine kar\u015f\u0131 \u00e7\u0131k\u0131yor.’ diye izah edince, Musa \u00d6\u011f\u00fcn yumru\u011funu masaya vurdu, ‘Nida T\u00fcfek\u00e7i de kim oluyormu\u015f!’ dedi. A\u00e7t\u0131 telefonu, ‘Bu program yap\u0131lacakt\u0131r.’ diye emir verdi. Program g\u00fcn\u00fc geldi\u011finde, Kerim Af\u015far teksti getirdi, ‘Al bunu g\u00fcle g\u00fcle kullan, hat\u0131ra olarak saklars\u0131n.<\/i>‘ dedi. Engellemi\u015fler yine. Musa \u00d6\u011f\u00fcn o s\u0131rada Erzurum Radyosu’nu a\u00e7maya gitmi\u015f, onun yoklu\u011fundan istifade edip Nida T\u00fcfek\u00e7i \u00e7\u0131km\u0131\u015f ortaya… Ben delirdim tabii… Musa \u00d6\u011f\u00fcn geldi\u011fi zaman gittim, kap\u0131y\u0131 falan vurmadan g\u00fcm diye girdim i\u00e7eri, ‘Emirlerinize kar\u015f\u0131 geliniyor, haberiniz var m\u0131?’<\/i> dedim. ‘Ben zaten y\u00f6netmelikten anlamam ki…<\/i>‘ dedi. ‘Anlamad\u0131\u011f\u0131n\u0131z belli oluyor.’<\/i> deyip kap\u0131y\u0131 vurdum \u00e7\u0131kt\u0131m. Denetim denen \u015feyin kar\u015f\u0131m\u0131za duvar gibi \u00e7\u0131kmas\u0131yla arabeske meydan vermi\u015f olduk.\u201d<\/p>

\u201cNida T\u00fcfek\u00e7i, 1976 y\u0131l\u0131nda TRT’den istifa ederek \u0130stanbul T\u00fcrk Musikisi Devlet Konservatuar\u0131’n\u0131n kurucu \u00fcyeleri aras\u0131nda yer ald\u0131. Konservatuar’\u0131n Y\u00f6netim Kurulu \u00fcyesi ve Ba\u015fkan Yard\u0131mc\u0131s\u0131 oldu.\u201d<\/p>

Turk Musikisi Konservatuar\u0131 ile ba\u015flayan \u00f6\u011fretim g\u00f6revi \u0130stanbul Teknik \u00dcniversitesi Konservatuar\u0131nda verdi\u011fi derslerle birlikte s\u00fcrd\u00fc..<\/p>

80\u2019li y\u0131llar\u0131n sonlar\u0131nda \u0130T\u00dc Konservatuar\u0131na giren teyzemin o\u011flu Hakan Kara (kendisi pop\u00fclizm u\u011fruna t\u00fcrk\u00fcden \u00f6d\u00fcn vermedi\u011fi i\u00e7in bir t\u00fcrl\u00fc kaset yapamayan bir t\u00fcrk\u00fc g\u00f6n\u00fcll\u00fcs\u00fcd\u00fcr.), yetenek s\u0131nav\u0131ndad\u0131r, Nida T\u00fcfek\u00e7i de s\u0131nav komisyonunda\u2026 \u00d6n\u00fcndeki masa \u00fczerine ellerini vurarak, \u00e7\u0131kard\u0131\u011f\u0131 seslerin ayn\u0131s\u0131n\u0131 aday \u00f6\u011frencinin yapmas\u0131n\u0131 ister, b\u00f6ylelikle m\u00fczik kula\u011f\u0131n\u0131n kendisinde var oldu\u011funun \u00fcstad taraf\u0131ndan test edildi\u011fini \u00f6v\u00fcnerek anlat\u0131r sevgili Hakan\u2026<\/p>

Yine Emre Salt\u0131k ile yap\u0131lan bir s\u00f6yle\u015fi, mezunumuzun s\u00f6zleriyle bezenir:<\/p>

– Halk m\u00fczi\u011fi g\u00fcn\u00fcm\u00fcze kadar kulaktan kula\u011fa ve usta-\u00e7\u0131rak ili\u015fkisiyle geldi. Akademik boyutu, cumhuriyetin en b\u00fcy\u00fck ay\u0131plar\u0131ndan birisidir. Kendi m\u00fczi\u011finin konservatuar\u0131n\u0131, ancak 1976’da kurabilmi\u015ftir. Hatta diyebilirim ki t\u00fcm halk m\u00fczi\u011fi enstr\u00fcmanlar\u0131n\u0131n da geli\u015fim ve at\u0131l\u0131m\u0131 da ayn\u0131 d\u00f6nemde ba\u015flar. Bu konservatuarlar\u0131n katk\u0131s\u0131d\u0131r. Halk m\u00fczi\u011fi notaland\u0131\u011f\u0131, belgelendi\u011fi bir d\u00f6nemi ya\u015famaya ba\u015flad\u0131. Ama, i\u015fin bir de sordu\u011funuz boyutu var. Hocam Nida T\u00fcfek\u00e7i \u015f\u00f6yle derdi: “Evet halk m\u00fczi\u011fi yaz\u0131l\u0131p \u00e7izilmelidir ama bunlar ar\u015fivlik olabilsin, unutulmas\u0131n, bir ba\u015fkas\u0131 okuyabilsin diyedir. Ama t\u00fcrk\u00fcler hi\u00e7 bir zaman notaya bak\u0131l\u0131p, ayr\u0131, birebir okunmaz. \u00c7\u00fcnk\u00fc bu bir duygu i\u015fidir de. Bana yaz\u0131l\u0131 bir t\u00fcrk\u00fc de getirseniz, bakarak okusam bile, \u00fc\u00e7 kere okusam her \u00fc\u00e7\u00fcnde de farkl\u0131 okudu\u011fumu anlars\u0131n\u0131z.” T\u00fcrk\u00fclerin b\u00f6yle bir dinamik yap\u0131s\u0131 vard\u0131r.<\/p>

\u201cTRT’deki idari g\u00f6revlerinin yan\u0131 s\u0131ra sanatsal \u00e7al\u0131\u015fmalar\u0131n\u0131 da s\u00fcrd\u00fcren Nida T\u00fcfek\u00e7i, s\u0131rayla “D\u00f6rt Ses D\u00f6rt Saz”, “Divan-Ba\u011flama-Cura”, “Erkekler Toplulu\u011fu-Ba\u011flama Tak\u0131m\u0131”, “Beraber-Solo T\u00fcrk\u00fcler” ve “Yurttan Sesler” gibi topluluklara \u015feflik yapt\u0131.\u201d<\/p>

\u201cT\u00fcrkiye Radyolar\u0131nda yay\u0131mlanmak \u00fczere “Ezgilerin Getirdi\u011fi”, “Deyi\u015fler ve Ezgiler”, “Halk Ozanlar\u0131 Ge\u00e7iyor”, “Ozanlar ve B\u00f6lge Sanat\u00e7\u0131lar\u0131”, Bel\u00e7ika Radyosu i\u00e7in “Ba\u011flama Ailesi” adl\u0131 prod\u00fcksiyon programlar\u0131 haz\u0131rlad\u0131. Ayr\u0131ca, “Oyunlar ve t\u00fcrk\u00fcler\/1976 (\u015eerif Baykurt \u0131le)”, \u201cT\u00fcrk\u00fclerin Dili\/1979″ ve “T\u00fcrk\u00fcler ve Oyunlar\/1985” adl\u0131 televizyon programlar\u0131n\u0131 da haz\u0131rlayarak sundu.\u201d<\/p>

\u201cYurt i\u00e7i ve yurt d\u0131\u015f\u0131nda d\u00fczenlenen Mill\u00ee ve Milletleraras\u0131 Folklor Kongreleri, Rostrum, Panel ve Sempozyumlara bildirileri ile kat\u0131larak T\u00fcrk Halk Musikisini \u00e7e\u015fitli y\u00f6nleri ile tan\u0131tt\u0131.\u201d<\/p>

\u201cTRT Denetleme ve Repertuar Kurulu Ba\u015fkanl\u0131\u011f\u0131 g\u00f6revlerini uzun y\u0131llar yapan Nida T\u00fcfek\u00e7i, resm\u00ee ve \u00f6zel derleme gezilerinde derledi\u011fi t\u00fcrk\u00fclerden 1000 kadar\u0131n\u0131n notas\u0131n\u0131 yazarak T\u00fcrk Halk Musik\u00eesi Repertuar\u0131m\u0131za arma\u011fan etti.\u201d<\/p>

Yozgat t\u00fcrk\u00fcs\u00fc: Bu t\u00fcr\u00fc belirleyen en \u00f6nemli \u00f6ge, ba\u011flamadaki, Yozgat tavr\u0131 olarak veya s\u00fcrmeli<\/span><\/em> olarak bilinen\u00a0 bir tav\u0131rla t\u00fcrk\u00fclerin \u00e7al\u0131n\u0131\u015f\u0131d\u0131r. Ayr\u0131ca seslendirmede yap\u0131lan tril<\/span><\/em> ler ve g\u0131rtlak<\/span><\/em> hareketleri a\u011f\u0131z olarak da bu t\u00fcre bir ba\u015fka \u00f6zellik kazand\u0131r\u0131r. Ba\u011flamada a\u011f\u0131r (andante) bir \u00e7al\u0131\u015f tarz\u0131 i\u00e7inde, tezene ile uzun s\u00fcreli seslerde ve senkoplarda triller yap\u0131l\u0131rken, klavye \u00fczerindeki elin yapt\u0131\u011f\u0131 \u00e7arpmalar da tavr\u0131 tan\u0131mlar. Yozgat tavr\u0131n\u0131 radyolara\u00a0 getiren, tan\u0131tan ve yayg\u0131nla\u015fmas\u0131n\u0131 saglayan Nida T\u00fcfek\u00e7i’dir.<\/p>

\u0130\u015fte, hemen melodisiyle akl\u0131m\u0131za gelen \u00fcnl\u00fc derlemelerinden baz\u0131lar\u0131:<\/p>

DA\u011eLAR SEN\u0130 DEL\u0130K DEL\u0130K DELER\u0130M<\/span><\/strong><\/p>

Sivas-Muhsin Akarsu-Nida T\u00fcfek\u00e7i<\/strong><\/p>

Da\u011flar Seni Delik Delik Delerim Delerim,<\/strong>
Kalbur Al\u0131r Topra\u011f\u0131n\u0131 Elerim Aman Aman<\/strong>
Elerim Aman Aman Dumanl\u0131 Da\u011flar.<\/strong><\/p>

\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.<\/strong>
DANE DANE<\/span><\/strong>
K\u0131r\u015fehir-Ne\u015fet Erta\u015f-Nida T\u00fcfek\u00e7i<\/strong><\/p>

Dane dane benleri var y\u00fcz\u00fcnde<\/strong>
Can al\u0131c\u0131 bak\u0131\u015flar\u0131 y\u00fcz\u00fcnde <\/strong>
Binbir dat var edas\u0131nda naz\u0131nda <\/strong>
D\u00fcnyada yardan datl\u0131 var m’ola<\/strong>
Sallan\u0131 sallan\u0131 giden yar m’ola <\/strong><\/p>

\u201cE\u015fi Neriman T\u00fcfek\u00e7i ile yay\u0131mlad\u0131\u011f\u0131 “Memleket T\u00fcrk\u00fcleri” ( \u0130stanbul, 1964, Hakan Yay\u0131nevi, 148 s.)” adl\u0131 bir kitab\u0131; \u00e7ok say\u0131da ansiklopedi, dergi ve gazetelerde yay\u0131mlanm\u0131\u015f makale ve maddeleri olan T\u00fcfek\u00e7i, pek \u00e7ok kurum taraf\u0131ndan da, \u00e7e\u015fitli \u00f6d\u00fcllerle \u00f6d\u00fcllendirildi. Bu \u00f6d\u00fcller aras\u0131nda: Folklor Ara\u015ft\u0131rma Kurumu\u2019nun “1985 \u0130hsan H\u0131n\u00e7er T\u00fcrk Folkloruna Hizmet Od\u00fcl\u00fc” ve 1991 T.C. K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 taraf\u0131ndan verilen “Devlet Sanat\u00e7\u0131s\u0131” \u00fcnvan\u0131 \u00f6zel yer tutar.\u201d<\/p>

1991 Y\u0131l\u0131nda Se\u00e7ilen Devlet Sanat\u00e7\u0131lar\u0131<\/strong><\/p>
Necdet YA\u015eAR<\/td>Klasik T\u00fcrk M\u00fczi\u011fi<\/td>\u00a0<\/td><\/tr>
\u0130smail Baha S\u00dcRELSAN<\/td>Klasik T\u00fcrk M\u00fczi\u011fi<\/td>Vefat etti<\/td><\/tr>
Alaattin YAVA\u015e\u00c7A<\/td>Klasik T\u00fcrk M\u00fczi\u011fi<\/td>\u00a0<\/td><\/tr>
Zeki M\u00dcREN<\/td>Klasik T\u00fcrk M\u00fczi\u011fi<\/td>Vefat etti<\/td><\/tr>
Teoman \u00d6NALDI<\/td>Klasik T\u00fcrk M\u00fczi\u011fi<\/td>\u00a0<\/td><\/tr>
Yesari As\u0131m ARSOY<\/td>Klasik T\u00fcrk M\u00fczi\u011fi<\/td>Vefat etti<\/td><\/tr>
Sadi Yaver ATAMAN<\/td>T\u00fcrk Halk M\u00fczi\u011fi<\/td>Vefat etti<\/td><\/tr>
Nida T\u00dcFEK\u00c7\u0130<\/strong><\/td> T\u00fcrk Halk M\u00fczi\u011fi<\/strong><\/td> Vefat etti<\/strong><\/td><\/tr>
Mustafa GECEYATMAZ<\/td>T\u00fcrk Halk M\u00fczi\u011fi<\/td>Vefat etti<\/td><\/tr>
Mustafa TURAN<\/td>Halk Danslar\u0131<\/td>\u00a0<\/td><\/tr>
Bar\u0131\u015f MAN\u00c7O<\/td>Pop M\u00fczik<\/td>Vefat etti<\/td><\/tr>
H\u00fcseyin S\u00dcRMEN<\/td>Piyano Sanat\u00e7\u0131s\u0131<\/td>\u00a0<\/td><\/tr>
G\u00fcher PEK\u0130NEL<\/td>Piyano Sanat\u00e7\u0131s\u0131<\/td>\u00a0<\/td><\/tr>
S\u00fcher PEK\u0130NEL<\/td>Piyano Sanat\u00e7\u0131s\u0131<\/td>\u00a0<\/td><\/tr>
Okan DEM\u0130R\u0130\u015e<\/td>Opera Sanat\u00e7\u0131s\u0131<\/td>\u00a0<\/td><\/tr>
Mete U\u011eUR<\/td>Opera Sanat\u00e7\u0131s\u0131<\/td>\u00a0<\/td><\/tr>
Macide TANIR<\/td>Tiyatro Sanat\u00e7\u0131s\u0131<\/td>\u00a0<\/td><\/tr>
Prof. Bozkurt KURU\u00c7<\/td>Tiyatro Sanat\u00e7\u0131s\u0131<\/td>\u00a0<\/td><\/tr>
Osman F. SEDEN<\/td>Y\u00f6netmen<\/td>Vefat etti<\/td><\/tr>
T\u00fcrkan \u015eORAY<\/td>Sinema Oyuncusu<\/td>\u00a0<\/td><\/tr>
H\u00fclya KO\u00c7Y\u0130\u011e\u0130T<\/td>Sinema Oyuncusu<\/td>\u00a0<\/td><\/tr>
Orhan \u015eaik G\u00d6KYAY<\/td>\u015eair<\/td>Vefat etti<\/td>\u00a0<\/td><\/tr>
Tar\u0131k BU\u011eRA<\/td>Yazar<\/td>Vefat etti<\/td>\u00a0<\/td><\/tr>
Atilla \u0130LHAN<\/td>Yazar<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
Ali Avni \u00c7ELEB\u0130<\/td>Ressam<\/td>Vefat etti<\/td>\u00a0<\/td><\/tr>
Prof. Sabri BERKEL<\/td>Ressam<\/td>Vefat etti<\/td>\u00a0<\/td><\/tr>
Prof. Dr. Turan EROL<\/td>Ressam<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
Prof. Devrim ERB\u0130L<\/td>Ressam<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
H\u00fcseyin Ar\u0131kan \u00d6ZKAN<\/td>Heykelt\u0131ra\u015f<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
Sadi D\u0130REN<\/td>Seramik Sanat\u00e7\u0131s\u0131<\/td>\u00a0<\/td>\u00a0<\/td><\/tr><\/tbody><\/table>

\u00a0<\/p>

\u201cSanat\u00e7\u0131 ki\u015fili\u011fi, idarecili\u011fi ve bilimsel y\u00f6n\u00fc yan\u0131nda, bir e\u011fitimci olarak da T\u00fcrk k\u00fclt\u00fcr\u00fcne hizmet etmi\u015f alan Nida T\u00fcfek\u00e7i 18 Eyl\u00fcl 1993 Cumartesi g\u00fcn\u00fc \u0130stanbul’da vefat etti. \u201c<\/p>

*************<\/strong><\/p>

Ya\u015fam \u00f6yk\u00fcs\u00fc biyografilerde biten ama t\u00fcrk\u00fclerimizdeki ezgilerde daima an\u0131lacak olan mezunumuz hakk\u0131nda T\u00fcrk Halk m\u00fczi\u011fi ile u\u011fra\u015fanlar\u0131n yazd\u0131klar\u0131 : <\/strong><\/p>

Ad\u0131 kabak kemane \u00e7alg\u0131s\u0131 ve \u201cAlibeyim\u201d gurbet t\u00fcrk\u00fcs\u00fc ile birlikte an\u0131lan Salih Urhan :<\/p>

-T\u00fcrk\u00fclerin bozulmas\u0131 beni \u00e7ok \u00fcz\u00fcyor, rencide ediyor. D\u00fc\u015f\u00fcn\u00fcn ki tarihi bir saray\u0131n duvarlar\u0131n\u0131 y\u0131k\u0131p yeniden yap\u0131yorsunuz, yeniden boyuyorsunuz. O saray eski \u00f6zelli\u011fini g\u00f6sterebilir mi? Ancak yeni bestelenen bir \u015fark\u0131da de\u011fi\u015fiklik yap\u0131labilir, ona kar\u015f\u0131 de\u011filim. Rahmetli Nida T\u00fcfek\u00e7i \u201cyapma g\u00fcl de g\u00fcld\u00fcr ama kokusu yoktur, do\u011fal g\u00fcl nas\u0131l kokuyorsa y\u00f6resel yorumla okunan otantikli\u011fini koruyan bir t\u00fcrk\u00fc de i\u015fte \u00f6yle kokar.\u201d derdi. Zannederim bu s\u00f6z \u00e7ok a\u00e7\u0131klay\u0131c\u0131\u2026<\/p>

40 \u0130K\u0130ND\u0130\u2019DE YAPILAN B\u0130R S\u00d6YLE\u015e\u0130DEN:<\/strong><\/p>

Halk\u0131n o d\u00f6nemde (50-60 l\u0131 y\u0131llar kastediliyor.\u201dak77\u201d) halk m\u00fczi\u011finden so\u011fumas\u0131nda bunun ne kadar pay\u0131 vard\u0131r?<\/strong><\/p>

O d\u00f6nemde halk hi\u00e7 al\u0131\u015f\u0131k olmad\u0131\u011f\u0131 bir sesle kar\u015f\u0131la\u015ft\u0131 ve tepki g\u00f6sterdi. Bunu g\u00f6ren Sar\u0131s\u00f6zen mahalli sanat\u00e7\u0131lar\u0131n ki\u015fisel icralar\u0131n\u0131 kitlelere sunarak bu tepkiyi hafifletmeye \u00e7al\u0131\u015ft\u0131. Ki\u015fisel icran\u0131n \u00f6n plana \u00e7\u0131kar\u0131lmas\u0131 Nida T\u00fcfek\u00e7i d\u00f6neminde daha bilin\u00e7li bir \u015fekilde yap\u0131lm\u0131\u015ft\u0131r. Gelmi\u015f ge\u00e7mi\u015f en b\u00fcy\u00fck bozlak sanat\u00e7\u0131s\u0131 Muharrem Erta\u015f bu d\u00f6nemde ke\u015ffedilmi\u015ftir. Yine Ne\u015fet Erta\u015f, Hac\u0131 Ta\u015fan, \u00c7eki\u00e7 Ali gibi isimler bu d\u00f6nemde g\u00fcndeme gelmi\u015ftir.
**********<\/p>

Nida T\u00fcfek\u00e7i,\u00a0 yeterince maliyecilik yapmad\u0131, ama okulumuz mezunlar\u0131n\u0131n\u00a0 sanattan soyutlanmayan bir e\u011fitim\u00a0 gelene\u011finin i\u00e7inde yeti\u015ftiklerinin kan\u0131t\u0131 ve gururumuz olarak, daima okul tarihimizdeki yerini alacakt\u0131r.<\/p>

Maliye Okulu i\u00e7in ilk kez 2002 y\u0131l\u0131nda olu\u015fturulan maliyeokulu-org sitesinin web ge\u00e7mi\u015finden al\u0131nm\u0131\u015ft\u0131r.<\/i><\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t<\/path><\/svg>Prev<\/span><\/span>\u00d6nceki<\/span>Ad\u0130l C\u00f6mert<\/span><\/span><\/a>\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\tSonraki<\/span>\u0130lk Meclis Binas\u0131ndan Maliye Okuluna Bakmak<\/span><\/span><\/path><\/svg>Next<\/span><\/span><\/a>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0Dersini alm\u0131\u015f da ediyor ezber\u00a0S\u00fcrmeli g\u00f6zlerin s\u00fcrmeyi neyler\u00a0-aman aman ben yarelendim aman\u00a0Bu dert beni iflah etmez del’eyler\u00a0Benim dert \u00e7ekecek derman\u0131m m\u0131 var\u00a0–aman aman s\u00fcrmelim aman Nida T\u00fcfek\u00e7i ile ilgili yazaca\u011f\u0131m yaz\u0131ya Orhan Hakalmaz\u2018\u0131n sesinden\u201cYozgat S\u00fcrmelisi\u201d e\u015fli\u011finde ba\u015flaman\u0131n dayan\u0131lmaz hafifli\u011fi vard\u0131 \u00fczerimde… yaz\u0131n\u0131n sonuna kadar s\u00fcrd\u00fc gitti bu keyif veren hafiflik\u2026 Okulumuz mezunu, bu \u00fcnl\u00fc […]<\/p>\n","protected":false},"author":1,"featured_media":3674,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_acf_changed":false,"_eb_attr":"","_gspb_post_css":"","footnotes":""},"categories":[15,16],"tags":[],"class_list":["post-4598","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mezunlardan","category-serbest-kursu"],"blocksy_meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/yeni.maliyeokulu.org.tr\/index.php?rest_route=\/wp\/v2\/posts\/4598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yeni.maliyeokulu.org.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yeni.maliyeokulu.org.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yeni.maliyeokulu.org.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yeni.maliyeokulu.org.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4598"}],"version-history":[{"count":31,"href":"https:\/\/yeni.maliyeokulu.org.tr\/index.php?rest_route=\/wp\/v2\/posts\/4598\/revisions"}],"predecessor-version":[{"id":22530,"href":"https:\/\/yeni.maliyeokulu.org.tr\/index.php?rest_route=\/wp\/v2\/posts\/4598\/revisions\/22530"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/yeni.maliyeokulu.org.tr\/index.php?rest_route=\/wp\/v2\/media\/3674"}],"wp:attachment":[{"href":"https:\/\/yeni.maliyeokulu.org.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yeni.maliyeokulu.org.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yeni.maliyeokulu.org.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}